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Current Status of Nationalist Approach in Indian Culture: An Analytical Study

Kapil Khare

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International Journal of Political Science 8(2):p 95-98, July – December 2022. | DOI: https://doi.org/10.21088/IJOPS.2454.9371.8222.6

How Cite This Article:

Kapil Khare/Current Status of Nationalist Approach in Indian Culture: An Analytical Study/International Journal of Political Science 2022;8(2):95–98.

Timeline

Received : November 22, 2021         Accepted : January 25, 2022          Published : December 30, 2022

Abstract

In the present research, an analytical study of the reality of nationalist tendencies in Indian culture has been done. Nationalism may have taken the form of a political term in the present times, but in the eyes of Indian mystics, the soul of the nation is found in cultural beliefs. When it comes to Indian thought, both nation and state are seen as different concepts. The nationalism of India is basically cultural nationalism. The cultural nationalism on which the foundation of India rests, aims at all inclusive, all round welfare. But in reality these two words have different meanings. The nationalist mindset of India and the culture of India is against narrow nationalism. The message of Indian culture has always been about knowledge and love and it believes in the principle of 'Vasadhaiva kutumbakam'. People whose mind is full of auspicious thoughts, they dedicate their life in the interest of the nation. True nationalists mold their lives according to their aspirations, their dreams and their principles. It is often believed that it is very difficult for a person who is not resourceful to fulfill his dreams. However, if a person bases only on his lack of means, then he can fulfill all his dreams, all his aspirations without sacrificing his principles. Research Methodology: In this research paper, second research material has been collected. For which important books and letters Journals, reports etc. have been studied.


References

  • 1.   Agarwal, MM, Ethnicity, Culture and Nationalism in North-East India,1996,Indus Publishing, UK.
  • 2.   Chopra, Rohit, Technology and Nationalism in India: Cultural Dialogue from Colonialism to Cyberspace, 2008,Cambria Press, New York.
  • 3.   Desai, A. R, Social Background of Nationalism, (6th ed.), 2005, Popular Publications, Mumbai.
  • 4.   Hemsth, Charles Herman, Indian Nationalism and Hindu Social Reform, Princeton,2015, University Press, New Jersey.
  • 5.   Jha, Prabhat, Culture Nationalism”, 2019, Prabhat Publications, New Delhi.
  • 6.   Patel, Akar, Indian Nationalism Limited”, 2016, Outlook, February.
  • 7.   Cultural Nationalism Has Replaced Indian Nationalism”, July 20, 2017, The Hindu.

Data Sharing Statement

There are no additional data available. All raw data and code are available upon request.

Funding

This research received no funding.

Author Contributions

All authors contributed significantly to the work and approve its publication.

Ethics Declaration

This article does not involve any human or animal subjects, and therefore does not require ethics approval.

Acknowledgements

We would like to express our gratitude to the patients, their families, and all those who have contributed to this study.

Conflicts of Interest

No conflicts of interest in this work.


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Cite this article

Kapil Khare/Current Status of Nationalist Approach in Indian Culture: An Analytical Study/International Journal of Political Science 2022;8(2):95–98.


Licence:

Attribution-Non-commercial 4.0 International (CC BY-NC 4.0)

This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.


Received Accepted Published
November 22, 2021 January 25, 2022 December 30, 2022

DOI: https://doi.org/10.21088/IJOPS.2454.9371.8222.6

Keywords

CultureNationalismAttitude

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Received November 22, 2021
Accepted January 25, 2022
Published December 30, 2022

licence


Attribution-Non-commercial 4.0 International (CC BY-NC 4.0)

This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.


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